10 March 2012

magnifique!



“Many of Danielle Richard’s paintings feature a vista, a clearing,
a door, or a window through which a feminine gaze appears to flee,
but what it truly seeks is to delve into its most intimate being.”


even though I don't understand French, I love listening to it.
this looks like a lovely presentation in Danielle's honour...



A bit of history about the origin of the word 'empathy' in Art that doesn't seem to be commonly known: In 1873, the art historian and philosopher Robert Vischer was the first person credited with using the German term Einfühlung to explain how we  'feel into' or the 'in-feeling of' works of arts and nature. His father, Friedrich Theodor Vischer, had previously used a similar term Einfühlen in explorations of Idealism relative to architectural form.

In the late 1800s the Father of Experimental Psychology William Wundt used empathy in terms of human relationships but still from an art-based position, saying 'when empathizing with a work of art, the beholder physically imitates the object and imaginatively projects himself into the object.'

A student of Wundt's, Theodor Lipps, transfered empathy to psychology in an attempt to explain how we discover that other people have selves, though he presented many examples from the visual arts, including 'when I observe a circus performer on a hanging wire, I feel I am inside him'.

Freud got in there then with 'putting oneself in another person's position', and in 1909, a psychologist named Edward Titchener translated Einfühlung into the adjective 'empathic' which he defined as the appreciation of another person's feelings, or the process of humanizing objects,
of reading or feeling ourselves into them.
From then on it seems like the art/aesthetic origin was no longer referred to, and around 1929 it started to get confusing when philosophers began arguing that empathy was more cognitive than emotional, and ever since then the lines between empathy and sympathy have been blurred, empathy commonly referring to cognitive function and sympathy to feeling, though they are often used interchangeably in today's society (this confusion clearly illustrated especially in the comments here). It also became a political tool; it can be very politically incorrect to be non-empathetic, and to be sympathetic has its own weakness/negative connotations as well.

I would like to see the downfalls of this confusion around
the word empathy and how it is being used as a distraction illustrated more clearly and spoken of more often,
as Edwin Friedman does in the fascinating book
A Failure of Nerve, where he says that the increased popularity of empathy is largely a symptom of the 'herding/togetherness forced characteristic of an
anxious society'.

I personally align with the earlier meaning of empathy in which I see the roots being represented aesthetically
('the science of feelings') through the arts as early (and likely even earlier) as the mid-1700's when Johann Georg Sulzer said that 'art is the expression of a psychological state of man; it imitates human nature in that it expresses nature through the representation of an object.'

Going with this version of empathy and distinguishing it from sympathy by defining it simply as having loyalty, support, or favor with, ultimately paves the way for less semantic confusion and more opportunity to...
throw all of this out the window!
and just be compassionate.

that is, recognize our shared humanity.


Feel life.
Be life.
Accept life.

2 comments:

Anonymous said...

I love this painting and went on and looked at her site.. thanks! And listened to the French with my eyes closed. LOVE it! I always learn something that I didn't know before when I come to your site to visit you! Love you!! Rhonda

mella said...

I just stumbled upon this pic on a greeting card and really connected with her...
So glad you came to visit, and that you picked up something new :)
t'aime ma chérie!